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Woman, Running Late, In A Dress by Dallas Woodburn

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Review by Christine Thomas Alderman

“I’ve pretended a lot of things the past sixteen years, but I can’t pretend to feel that” (11).

With those words, a woman who has just almost lost her husband to sudden illness, knows she has to leave him.

So begins award-winning Dallas Woodburn’s short story collection Woman, Running Late in a Dress, nominated for multiple awards including the Flannery O’Connor Award for Short Fiction. Woodburn’s thirteen interconnected stories chart seismic emotional upheaval that grinds ominously from below and explodes onto the surface of people who might live down your street, or in your apartment building, or be you yourself. With a breathless pace, readers looking to be known on the page in their own trauma will see a reflection haunting and yet empathetic.

Before, when Marie heard the word “breakdown,” she associated it with a sudden shift—something triggered. Like a twig stepped on by a heavy boot, snapped cleanly in two. Before: whole. After: broken. But Marie’s breakdown was not like that. For her, the breakdown was something that built over a matter of days and weeks and months, a gradually increasing sense of claustrophobia—compounded by guilt that she was feeling anything but gratitude for her life. (62)

Woodburn creates a space where readers are unable to look away, not with the eyes of highway rubberneckers who pass by with a sigh of relief that they are not in the flashing lights, but with a grasping hope that somehow, these characters trying to survive the unimaginable will find peace.

At one point, as we turned a corner, his body leaned my way and our knees and shoulders touched. I wanted us to just keep driving—past my house, past my street, past my neighborhood, going around lots of turns. I didn’t know where we’d end up. But Jared Sampson’s mom was driving, so I felt safe. (86)

With an unsparing eye, Woodburn pulls the reader into experiences that slice and flay the human soul. Woodburn dares to write multiple stories of the grief of children lost, missing, and dying. She mines the hidden recesses of loss and ruin carried within people, people who wear no obvious markings that their worlds are torn apart. She trusts the reader to hold and honor their stories. Characters appear and reappear in other’s lives. But the characters seem to reflect the modern world, each carrying a burden so great as to not be manageable, but the hurt forming a force field that repels them from others’ suffering as well, opposite poles of the same material, doomed never to meet and become stronger by linking together.

While Woodburn does not cheat the reader by providing pat, happy endings, for such endings would both cut the edge of the stories, and irritate the characters who even in their longing for happiness, know they are forever different for their struggles. Rather she drapes them in jacaranda blossoms and riddles, and perhaps a bit of luck, and sends them on their way, forever in the reader’s minds, to carry on their lives in a hundred different iterations of possibility.  “And yet. Here I am, walking…towards the light…I try to hold the breakable things steady in my hands” (184).

Once the stories end, the reader will want to begin again, with the knowledge the stories are connected, to understand the characters better, a new set of stories read with more knowing eyes.

Dallas Woodburn has been nominated for four Pushcart Prizes. She won first place in the international Glass Woman Prize. She is the youngest guest to appear on the PBS literary show, “Between the Lines.” She is a Steinbeck Fellow in Creative Writing at San Jose University and holds a MFA from Purdue University, where she served as the Fiction Editor of the Sycamore Review. She is the founder of Write On! Books, empowering youth through reading and writing. Find her at and


Woman, Running Late, in a Dress by Dallas Woodburn
Yellow Flag Press 2018, 198 pages, $20 [paper] ISBN 9781387571215


Christine Thomas Alderman is a writer for adults and children and an educator who holds degrees from Vanderbilt and Harvard Universities. Her work has been published by the Bath Flash Fiction Anthology, To Carry Her Home,, and the Ploughshares blog (, among others. Find her at



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